DKNY Rugby Trunk Blue, International Jock
The DKNY Underwear Rugby collection offers up-to-the-minute styling and a unique fabric that combines the best characteristics of cotton and modal. DKNY’s square-cut trunk features fine, multi-color striping that accentuates the contours of your body. The soft microfiber waistband mimics the striping of the fabric and includes a prominent DKNY logo that’s embossed on the left side. The dual-layer contoured pouch is comfy and supportive and the short square-cut legs are trimmed in white piping and offer a very masculine look.
The exclusive fabric is a blend of 57% Cotton, 38% Modal and 5% Spandex with 4-way stretch characteristics. These trunks will fit you like a glove and offer smooth, comfortable support.
Machine wash and dry. Do not iron. No chlorine bleach. Imported.
Meredith Vieira on NBC TV’s Today Show asked whether she should be worried because two men hugged.
Source: Towleroad
What worries me is that there are people like Meredith Vieira on television.
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Proposed Florida Law Would Deny Tax Breaks to Films That Feature Gay Characters
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Massa under investigation for allegedly groping male staffers
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Singer Mary Gauthier proclaims she isn’t lesbian enough
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The Doc Johnson Lucid Dream #14 Multi-Speed, Waterproof G-Spot Vibrator, with Twist-bottom Control, is the best-selling vibrator at amazon.com at the moment.
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Sugar And Vice Fluffy Handcuffs And Velvety Eye Mask, amazon.com
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California Exotics Remote Control Vibrating Panty, amazon.com
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Topco Sales Love Swing, amazon.com
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“Harper Collins’ chief marketer, Jonathan Burnham, hired a fanatical homophobe, Lynn Vincent, to write Sarah Palin’s book for her”–The Daily Dish
“West Hollywood will celebrate its 25th anniversary next month but the city’s biggest party, like every year, will be on the last day of October.”–ebar.com
amazon.com
Edmund White’s book City Boy: My Life in New York During the 1960s and ’70s was released in the U.S. on September 29, 2009.
The product description at amazon.com says:
In the New York of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays in City Boy: a place of enormous intrigue and artistic tumult. Combining the no-holds-barred confession and yearning of A Boy’s Own Story with the easy erudition and sense of place of The Flaneur, this is the story of White’s years in 1970s New York, bouncing from intellectual encounters with Susan Sontag and Harold Brodkey to erotic entanglements downtown to the burgeoning gay scene of artists and writers. It’s a moving, candid, brilliant portrait of a time and place, full of encounters with famous names and cultural icons.
Dwight Garner has reviewed the book for the New York Times.
